Oumou Sangare Moussolou Rar File8/27/2020
In 1989, after some persuasion - wary of the pitfalls that could wait for her if the cd was not productive -, she recorded her 1st lp Moussoulou (Ladies).When Oumou had been two years old, her dad had taken a 2nd spouse and emigrated tó Cote dIvoire, leaving Oumous mother, who had been pregnant at the period, and their three small children.
The struggle to maintain the household afloat had been the background to Oumous childhood. Oumous mom had been a singer and her main supply of revenue was the sumu (wedding ceremony and baptism celebrations organised by ladies) or road parties as Oumou phone calls them. Oumou accompanied her mom to thé sumus from thé age group of five, and very soon had been in demand in her own right. She delighted in the atmosphere of these parties, terminated in identical measure by her interest for the music and by her desire to help her mom out by getting a little additional cash. By the age of thirteen Oumou experienced turn out to be the family members breadwinner. It had been a quite hard child years and it provided me an incredible character. Oumou Sangare Moussolou Rar File Movie Director OfAt the age of eighteen, Laminé Sidibe, the movie director of Malis Instrumental Outfit, discovered me performing in the street. After that, I joined Bamba Dembs Djoliba Percussion music group (which furthermore incorporated a young Toumani Diabat), and went with them on a Western tour. I was the youngest singer in the troupé but I handled to make a niche for myself. Oumou credits Coumba Sidib, Wassoulous popular female vocalist of the 70s and 80s, for teaching her the ideals of chastity, simpleness and vocal freshness. Oumous mom is from Wassoulou, the remote forest area in the sth of Mali which features a rich and exclusive culture. For hundreds of decades, until the starting of the 20th century with German colonial rule, it has been Malis Wassoulou hunters who were the protectors of the villages, the suppliers of foods, and the healers. Still nowadays they take up a specific place serious in the Malian psyche. Their music, performed on a specific six string harp, can be considered to have got magic strengths that can shield sportsman and tame actually the most harmful of animals. Wassoulou sportsman music was very different from the existing griot-based songs of the dancing bands. It got solid, hypnotic dance tempos and in comparison to the Mánd griots, whose Iyrics focus more on the wealthy and the effective, Wassoulou the lyrics talk about even more general factors of daily life. Oumous eyesight from the beginning was to provide the strength and charm of this music into her own songs. When I obtained back to Bamako I shaped my own band, with a fIute-player, a pércussionist and a kameIe ngoni (youths hárp) participant. Then I made an appearance on ORTM (the national Malian Radio and Television Broadcasting Expert). The next day time, an admirer sent me a brand new Yamaha Dan motorcycle That offered me the self-confidence to keep performing and stick to my path Around this period she arrived into get in touch with with the striper participant and arranger Ahmadóu Ba Guindo, chief of the renowned National Badema dancing band which performed traditional songs on contemporary instruments. Adhering to his dying in a vehicle accident in 1991, Oumou compensated tribute to Ahmadou Bá Guindo in thé wonderful Saa Magni, which functions on her record Ko Sira (Contemporary Marriage), released by Globe Outlet in 1993). Ahmadou gathered a team of musicians around Oumou like Aliou Traore who played western violin (and who got studied songs in Havana, Cubá as a social exchange student) and the guitar player, Boubacar Diallo, who got also performed in the State Badema. At the core of the group has been a young Wassoulou kamele ngoni player called Benego Brehima Diakite who has stayed Oumous major musical collaborator to this time. Oumou thinks that Nowadays Benego is definitely actually the greatest participant in the entire world, actually of all period.
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